INDEX OF WORKS BY NAMED COMPOSERS (or arrangers) of music current in Shakespeare’s time
Compilers of anthologies are not here distinguished from composers, so that, for instance, settings of popular tunes for 4 or 5 part consort can reasonably be considered their own compositions, reflecting John Cutts (CU194) reference to the important contribution to this repertory in the form of keyboard pieces by Giles Farnaby where he notes that some attributed works may be as arranger rather than composer. Titles of works which show the status or rank of a person are listed under family name, e.g. DOWLAND ‘My Lady Hunsden’s Puffe’ under letter H in the list of works by that composer. Where more than one reference is given, full bibliographical detail together with musical incipit will be found under the serial numbers between 1 and 417, otherwise under the number printed in bold.
N
| NEGRI, Cesare | Il Canario | 609A |
| c1535-c1605 | [Le Grazie d’amore] Corrente | 151c |
| NEUSIDLER, Hans | Elslein liebstes, Elslein mein | 896 |
| 1509-1563 | Hoftanz and Hupfauf, lute | 893 |
| Der Juden Tanz, lute | 166d, 964 | |
| Ein niederlendissch Tentzlein | 763 | |
| Welscher Tanz, lute | 894 | |
| NEWMAN, Mr.?fl1583 | Fancy, lute | 777 |
| or Andrew d.1544 | Pavyon, C minor, keyboard | 1226 |
| NICHOLSON, Richard | Cuckoo, consort song | 557 |
| c1570-1639 | In a merry May morn, consort song | 1178, 1441 |
| Jew’s dance (‘The rich jew’), 2 lutes | 166c, 215f, 963, 1432 | |
| Joan quoth John, consort song | 657, (1413) |
O
| OBRECHT, Jakob | Tandernaken à 3 | 97 |
| 1450-1505 | ||
| ORTIZ, Diego | Divisions on ‘John come kiss me now’ | 106b, 747 |
| c1510-c1570 | Recercada segunda, lute | 1470 |
| La Spagna, viol | 506 | |
| OSTERMAYRE, | Galliard, keyboard | 318c, 858 |
| Johan c1560-1621 |
P
| PADOVANO, | Aria della Battaglia à 8 | 516, 1542 |
| Annibale. c1527-1575 | ||
| PARRY, John | Cavalilly man (traditional, arrangement) | |
| c1710-1783 | ||
| PARSONS, Robert | Ah alas, ye salt-sea gods (Abradad) attrib. | 1143 |
| c1535-1572 | De la court pavan à 5 | 946, 1508 |
| Galliard à 5 | 729, 851 | |
| In nomine à 7 | 1510 | |
| No grief is like to mine, 2nd part of ‘Pandolpho’ | ||
| Pandolpho, ‘Pour down, you pow’rs divine’, consort song (also | ||
| attrib. to Strogers) | 807 | |
| A song by Mr. Robert Parsons, consort à 5 | 648 | |
| The song called ‘Trumpetts’, consort à 6 | 647, 957, 1509 | |
| PAUMANN, Conrad | Mit ganczem Willen | 892 |
| 1410-1473 | ||
| PEARCE, Edward | see PIERS | |
| PEERSON, Martin | Alman, keyboard | 441 |
| 1571/3-1651 | The Fall of the leafe | 1437 |
| Piper’s pavan (after Dowland) | 9a | |
| The Primerose | 1436 | |
| P HALÈSE, Pierre | Allemande and galliard d’Anvers | 426-7 |
| c1510-1573/6 | Allemande Savoye (+ Arbeau) | 424 |
| Branle mouresque | 1186 | |
| Il Burato, gagliarda | 845 | |
| Galliarde d’Ecosse | 1397 | |
| The Leaves be green (‘Browning’), variations | 154d, 155c, 916 | |
| Parade des Bouffons | 106c, 566, 735, 1221 | |
| Passamezzo d’Angleterre | 1220 | |
| La Roque, basse danse | 501, 837 | |
| Les Quercades, pavane | 95, 1225 | |
| Si pour t’aymer, galliarde | 838 | |
| La Traditore, allemande | 372, 833 | |
| Volte | 1528 | |
| PHILIPS, Peter | Amarilli mia bella (after Caccini) | 959 |
| 1560/1-1628 | Aria del Gran Duca Ferdinando di Toscana, consort à 5 | 1541 |
| Chromatic pavan and galliard, lute, see Pavana & galiarda dolorosa | ||
| Galliard F87, lute, cittern, keyboard | 863 | |
| Galliard (arr. Morley for broken consort) | 313b, 1292 | |
| Passamezzo pavane and galliard F76-7 | 225c; 226a, 1287-8 | |
| Pavana & galiarda dolorosa, à 5, keyboard F80-1 | 1289-90 | |
| Pavana Pagget & galliardo à 5 F74-5 | 1285-6 | |
| Pavane in G, keyboard F85; (and arr. Morley for broken consort) | ||
| 313b, 1291-2 | ||
| Piper’s galliard, (after Dowland), 2 keyboard settings | 8, 877 | |
| Le Vecchio, pavan à 5 | 1277 | |
| PIERS (PIERCE), | Hey, trola there boys there, hunting song | 940 |
| Edward. c1560-?1613 | Urchin’s dance | 191b, 194c, 217a |
| PILKINGTON, Francis | Curranta for Mrs Murcott, lute | 687 |
| c1570-1638 | Echo, 2 lutes | 764, 1071 |
| Go from my window, variations, lute | 354f, 898 | |
| Rest sweet nymphs, lute song or part song | 1046, 1112 | |
| Spanish pavane, lute | 142a |
| PLAYFORD, John | The Dancing Master. 2 country dance collections (1st edition) | |||
| 1623-1686 | a: Longways for six, b: Longways for four, c: Longways as many as will, d: Longways for eight; e. For six, f: Round for eight, g: Round for six, h: Round for as many as will, j: Square dance for eight, k: Longways for as many as wil, l: For as many as will; m: For four, n: For eight, p: Longdance for three, five, seven or nine couples, | |||
| I. | l.a | Upon a Summer’s day (The garland’; Gipsies’ round’) | 701, 1388 | |
| 2.a | Blue cap | 1406 | ||
| 3.a | Night piece (‘Dance of death’; ‘The shearing of the sheep’) | 414d | ||
| 5.a | The Beggar boy | 1405 | ||
| 6.m | The Parson’s farewell | 712, 1347 | ||
| 8.a | The New Exchange (‘Durham stable’) | 354f | ||
| 10.a | Stingo, or Oil of barley | 196b | ||
| 11.a | Whirligig | 203b | ||
| 12.a | Picking up sticks | 704 | ||
| 14.a | Grimstock | 184, 980 | ||
| 15.a | Woodicock (‘Gigge a goggy’) | 203b, 710 | ||
| 16.e | Greenwood (‘The huntsman’) | 15b, 146b, 904 | ||
| 17.c | The Saraband | 1391B | ||
| 22.a | Millison’s jegge | 367, 978 | ||
| 23.d | The Spanish Gipsy (‘Jeepsie come follow’) | 143e | ||
| 25.g | Kemp’s jig (‘Rowland’) | 967 | ||
| 26.d | The chirping of the lark (‘Muscadin’) | 39b, 145, 564, 1195 | ||
| 29.d | Nonesuch (‘A la mode de la France’) | 140, 216b | ||
| 30.d | Daphne, or The Shepherdess | 191d, 695, 1453 | ||
| 31.d | The merry, merry milkmaids | 47b, 49a, 753 | ||
| 32.l | Millfield | 10f, 154c, 201d | ||
| 37.h | Rose is white, rose is red | 1164 | ||
| 39.k | Drive the cold winter away | 129, 155a | ||
| 41.h | Pepper’s black | 120b, 604 | ||
| 42.k | The Maid peeped out at the window (‘The friar in the well’) | 302c | ||
| 43.k | Halfe Hannikin | 405c | ||
| 44.d | Lord of Carnarvon’s jegg | 979 | ||
| 45.c | Irish trot | 953 | ||
| 46.j | Fain I would if I could {‘Partenia’; ‘The King’s complaint’} | 69 | ||
| 48.k | Irish lady (‘Aniseed water Robin’) | 952 | ||
| 49.c | Nonesuch, 2nd version (‘A la mode de la France’) | 140, 216b | ||
| 53.l. | Goddesses (‘Quodling’s delight’) | 193, 696 | ||
| II. | 1.c | Jog on, jog on the footpath way | 405 | |
| 2.m | Heart’s ease | 244a | ||
| 4.a. | Jack Pudding | 706, 1192 | ||
| 9.c. | Lavena | 704 | ||
| 12.h. | The chirping of the nightingale | 56 | ||
| 13.k. | A soldier’s life | 46, 48c | ||
| 15.m | Cuckolds all a row | 698 | ||
| 17.c. | Paul’s steeple | 1404 | ||
| 18.m. | Rufty Tufty | 1194 | ||
| 19.a. | All in a garden green | 15d | ||
| 20.c. | Dargason | 176c | ||
| 23.n. | Broome, the bonny, bonny broome | 390 | ||
| 24.d. | Milkmayd’s bobb | 702 | ||
| 33.c | The friar and the nun | 296 | ||
| 34.a. | Chestnut | 1305 | ||
| 35.c | Paul’s wharf | 1399 | ||
| 36.c. | Staines morris | 57d, 276c, 415b, 1169 | ||
| 37.c. | Tom Tinker | 366b | ||
| 38.f. | Kettledrum | 995A | ||
| 39.g | Mundesse | 703 | ||
| 41.c | Lady lie near me | 698 | ||
| 42.d | Lull thee beyond thee | 698 | ||
| 44.g | Jenny plucked pears | 697 | ||
| 45.h | Gathering pescods | (15d), 16a | ||
| 46.h | Up tails all | 276a | ||
| 48.a | Scotch cap | 1407 | ||
| 49.p. | Step stately | 706, 1192 | ||
| 50.a | Shepherd’s holiday | 1455 | ||
| 51.c | Row well ye mariners | 403b, 982, 1053, 1426 | ||
| 52.d | Gray’s Inn mask (Mad Tom) | 130b, 1142 |
| PRAETORIUS, Michael | [P Gesmtausgabe des musikalischen Werke; ed. F. Blume, | |
| 1571-1621 | 1928-49 (1960) Terpsichore à 4 – 6. 1612] | 1340 |
| Ballet à 4 P268 | 497 | |
| Ballet des bacchanales à 4 P278 | 62c, 751 | |
| Ballet des coqs à 4 P254 | 561 | |
| Ballet des fous à 3 P | 632A | |
| Ballet des mateloz à 4 P280 | 1430 | |
| Ballet des princesses à 4 P277 | 496 | |
| Ballet des sorciers à 4 P262 | 1460 | |
| Ballet du Roy pour sonner après P269 | 718 | |
| La Bourrée à 4, P32 [Parson’s farewell] | 712, 1347 | |
| Branle de la torche à 5 P15 | 591 | |
| Branles de villages à 5 P14 | 594-9 | |
| Branles doubles à 4-5 P4, P12 | 572-8 | |
| Branles gays à 4 P5, à 5 P4 | 580. 582-4; 585-7 | |
| Branles simples à 4-5 P4, P12 | 570-1 | |
| La Canarie à 4 P31 | 609, 1343 | |
| Courante à 5 P81 | 678 | |
| Courante à 5 P123 [Packington’s Pound] | 303b, 650, 1346 | |
| Courante MM Wüstrow à 4 P150 | 684 | |
| Courante à 4 P151 [Wolsey’s wilde] | 9b, 681 | |
| Courante à 4 P152 [Light o’ love] | 236a, 682, 1345 | |
| Courante à 4 P154 [Grimstock] | 184, 187, 405a, 683 | |
| Courante à 4 P157 [Mrs Winter’s jump] | 685, 1348 | |
| Courante à 4 P179 | 209c, 686 | |
| Courante à 4 P183 [Bull. ‘Battle’] | 584 | |
| Courante de la bataglia à 5 P48 | 514, 677 | |
| Courante de Jean Perrichon à 5 P60 | 688 | |
| Courante ‘La Rosette’ à 4 P103 | 679 | |
| Espagnolette à 5 P26 | 1341 | |
| Galliarde à 5 P287 | 852 | |
| Galliarde à 4 P310 | 852A | |
| La Mouresque à 4 P108 | 1197 | |
| Parson’s farewell, see La Bourrée à 4, | ||
| Passameze pour les cornetz à 6 P288 | 1128, 1234, 1360 | |
| Passamezo and Galliard à 6 P287-288 | 1128A | |
| Pavane de Spaigne P29, 30, see Spanish pavane below | ||
| Philou, branle de villages, P14 no 6 | 599 | |
| La Sarabande à 5 P33 | 1006, 1050, 1344, 1467 | |
| Sarabande à 4 P34 | 1050A | |
| Spagnioletta à 4 P27-8 | 1341, 1464 | |
| Spanish pavane à 4 P30; à 5 P29 | 142a, 1342, 1466 | |
| Volte à 5 P210 (Volte de France) | 349, 1531 | |
| Volte à 4 P243 | 1350, 1535 | |
| Volte à 5 P223 | 1534 | |
| Volte de tambour à 4 P199 | 1447, 1536 |