INDEX OF WORKS BY NAMED COMPOSERS (or arrangers) of music current in Shakespeare’s time

Compilers of anthologies are not here distinguished from composers, so that, for instance, settings of popular tunes for 4 or 5 part consort can reasonably be considered their own compositions, reflecting John Cutts (CU194) reference to the important contribution to this repertory in the form of keyboard pieces by Giles Farnaby where he notes that some attributed works may be as arranger rather than composer. Titles of works which show the status or rank of a person are listed under family name, e.g. DOWLAND ‘My Lady Hunsden’s Puffe’ under letter H in the list of works by that composer. Where more than one reference is given, full bibliographical detail together with musical incipit will be found under the serial numbers between 1 and 417, otherwise under the number printed in bold.


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H

HARDING, James Galiarda, consort à 5 (also set by Byrd F122) 859
c1575-1626
HAUSSMANN, Almain no 1 à 5 423
Valentin Almain no 2 (untitled setting of ‘Nancie’) 221
1565/70-1613/4 Pavan and galliard à 5 (untitled setting of ‘Go from my window’) 354f
Pavane, galliard and fuga (untitled setting of ‘Roland’) 203a
Polish dances à 5 1331-40
HAYNE van Ghizeghem see GHIZENHEIM
HENRY VIII, King of (attributed in part or wholly)
England. 1491-1547 Adiew Madam et ma maistres à 4 1003
And I were a maiden 99
Departure is my chief pain, round à 4 797
En vrai amoure, dance; setting à 4 96
England be glad à 3 (attrib.) 71
Fantasias, consort (attrib.) 80, 94, 104
Grene growith the holy à 3 94, 909
Hélas madam, à 3 (by Hayne van Ghizeghem with part added) 1004
If love now reigned à 3 92
It is to me a right great joy, round à 3 98
The Kyng’s pavyn (‘King Harry the VIII pavyn), lute 95
Madame d’Amours (attrib.)
Pastyme with good companye à 3 92, (94)
Taundernaken (attrib. Alamire) à 3 97
Withowt discord and bothe acorde à 3 91
HESSE, Paul & Gagliard à 5 847
Bartolomeus fl. 1550 La Gamba, galliard à 6 1010
Pavana La Bataglia (after Janequin) 379
HILDEGARD of Columba aspexit (Sequentia de Sancto Maximino) 25
Bingen 1098-1179 A Feather on the breath of God 25
HILTON, John, jr. [Catch that catch can]
1599-1657 Come follow, follow me, whither shall I follow, catch à 3 306e
Hem, boys, hem, catch à 3 10g, 59a
Jog on, jog on, catch à 3 405
There was an old fellow at Waltham Cross 59
Three merry men be we 343, 348a
HILTON, John, sr. What shall he hath that kill’d the deer, catch à 4 19
c1560-1508
HOLBORNE, Antony [J Thematic catalogue by Brian Jeffery in Musica disciplina xxii (1968) 129ff]
c1584-1602/3 [HB Music for lute and bandora, ed. M. Kanazawa (1967)]
[HC The Cittharn School: 58 pavans and other pieces. 1597]
[H Pavans, Galliards, Almains and Courantes…for viols, violins or other wind instruments: 65 dances à 5. 1599]
J HB HC H
Amongst the harlots foul I walk (Spanish pavane) 263a
As it fell on Holie eve, coranto 118 38 64 674
Bona speranza, lute pavane; ensemble à 5 52 9 1 222
Bonny sweet Robin 138 22 48
Chi passa (Qui passi) 112 15 384
The Choyce, alman 70 42 59 469
Countess of Pembroke, see under Pembroke below
Cradle pavan 19 14 1049
The Cradle of conceits, pavane 6 4 36 5 1048
Ecce quam bonum, galliard 102 28 40a i
Fairie round: coranto 90 37 63 188a, 190, 403a, 673
Farewell, lute galliard no 9 81 32 58 799
Funerals: pavan (Countess of Pembroke’s Funeral) 59 12 31 40a ii, 239 i, 243, 336j, 1008
The Funerals, galliard, see Noel’s galliard
Galliards (untitled) 129 10 257
12 1321
Heigh-Ho Holiday, coranto 127 39 65 675
Heres Paternus, pavan 50 10 33 1244
Honie-Suckle, alman (Heart’s-ease) 1 51 60 245c, 281a, 471
Image of melancholy, pavan 3 2 27 239a ii
In Peascod time 87 13 18, 55, 58, 948
Last will and testament, pavan 10 46 53 29d, 61a, 1257
Lullabie à 5 (bandora galliard no 1) J98 98 App 1 55 4 201a, 1047
The Mari-gold, galliard. 107 43 8 219a
Monsieurs almaine 14 17 256a ii, 442
Myvlinda, galliard (Muy Linda) 130 30 36 34 853
The New Year’s Gift, galliard 83 18 6 145d
Night watch: alman 31 41 47 55 233, 238, 240, 293,470,732, 346
[Sir Henry] Noel’s galliard 97 40 336d, 1009
The old almaine 56 11 67d, 320b, 446
Paradizo, see under Pembroke below
Patientia 20 25 1203
Pavana ploravit (after ‘Lachrymae’) 48 14 49 (31a), 109a,1024, 1256
Pavans (without destinguishing title) 21 3 34a ii, 151a, 225b, 256a i, 731
61 11 34a i, 1320
4 3 15 31a iii
11 36 37 1243
Countess of Pembroke’s Funerals pavan, see ‘Funerals pavan’
Countess (of Pembroke’s) Paradise 1 2 17 138a, 1202, 1474
Pescod time, see In pescod time
Playfellow II, see ‘The Wanton’
Posthuma: pavane 62 51 417a
Qui passa, see Chi passa
Sedet sola, pavan 20 8 19 1258
Sicke, sicke 23 25 235a
The Sighes 80 18 234
Spanish pavan 53 14 142a, 263a
Then there is mirth in heaven 21b
Tinternell (Short almain) 157b
Le Vecchia, cittern 20 1277
The Voyce of the ghost, cittern 24 12 1476
(As I went to) Walsingham 89 46 16 44, 472, 1277, 1540
The Wanton (Playfellow II), coranto 95 36 61 332c, 672
Welsh alman (bandora J17) 17a 39a 51a
The widowes myte, coranto à 5 84 62 676
HOLBORNE, William Wedding is great Juno’s crown, canzonet à 3 21b, 22b
fl 1597, d. after 1602
HOLMES, Matthew Robin is to the greenwood gone, consort 48a
HOOPER, Edmund Almans 437-8
1553-1621 Coranto (attrib to Farnaby in F228) 309
HOVE, Joachim van Pavane lachrymae, lute 31a
den 1567-1620
HUME, Tobias Fain would I change that note 1110
1575-1645 French jig, bass viol 995
Hark, hark the lark, lyra viol 30
The King of Denmark’s Delight (‘Poetical music’ no 2) 738
Lesson for bass viol 260
Pavan, lyra viol 1263
The Earl of Sussex’s delight, maske, 2 lyra viols & bass viol 1138
Sweet music (Earl of Salisbury’s favourite), 2 lyra viols & bass viol 1477


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I

INGLOTT, William The leaves be green 154d
1554-1621
ISAAC, Heinrich A la Bataglia 513
c1450-1517 La Spagna 506


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J

JACKSON, Charles Will ye go walk the woods so wilde 15b
fl 1559
JANEQUIN (Jannequin) Le chant des oiseaux 560
Clément c1485-1558 La guerre, chanson (adapted by Susato as pavan ‘La bataille’) 510
JENKINS, John Come, pretty maidens, round à 3 414g
1592-1678
JOHNSON, Edward Eliza is the fairest queen, consort song 656
fl 1572-1601 Johnson’s knell (also attrib. to Robert Johnson) 541, 1033
Pavan and galliard to Delight (now attrib Robert Johnson) 1279-80
JOHNSON, John (Johnson’s) Almaine (‘Gathering Pescods’; ‘Allin’s jig’) 16a
c1541-1595 Carman’s whistle, lute (attrib. also to Robert Johnson) 60, 610, 713
fl 1579-1594 Chi passa, lute 384
A Dump, 2 lutes 760, 1059
Flat masque 1133
Flat pavane and galliard 1275-6
French gaylarde, lute (attributed) 826, 844
Gathering of pescods, see Almaine above
Green garters 698
Greensleeves, (‘Grienslivis’) 2 lutes (attributed) 178, 350b, 1060
The New hunt is up, 2 lutes 1061
Passymeasure pavans 1232-3
Pavan and galliard to Delight 1279-80
The Queen’s treble, dump, 2 lutes 761, 1062
Satyr’s dance, see Robert Johnson
Sellenger’s round (‘The Beginning of the world’), 2 lutes 188d, 1063
Tempest masque (attrib.) 308a
(Johnson’s) Toy (Allin’s jig) 16a
Trenchmore, dance, lute 1500
La Vecchia (Laveche) pavan and galliard, 2 lutes 1064-5, 1277-8
Walsingham, lute 44, 1540
JOHNSON, Robert (I) A knell of Johnson (‘The Bells’) (possible attrib.) 540, 1033
c1500-1560 The Noble man, masque (attrib.) 1141
2 Witches’ dances (attrib.) 160; 162, 1151, 1458-9
JOHNSON, Robert (II) [J: Brian Jeffery The lute music of Robert Johnson EM ii (1974) 105-9]
c1583-1633 Certain songs are also associated with the name of John Wilson 1594-1674 (qv)
Adieu fond love, lute song 1205
Almans, lute and in keyboard arrangements 450-7, 457A
Note also four titled almans in the list below
As I walked forth, lute song 1106
Baboon’s dance, antimasque 386k, 485, 1149
The bells ‘A knell of Johnson’) à 5 540, 1032
Care charming sleep, lute song 106c, 115c, 208b, 263c, 1040
Carman’s whistle, lute (attrib. also to John Johnson) 60, 610, 713
Charon, o Charon 155F
Come away Hecate, lute song 158b, c
Come heavy sleep, lute song 115h
Dear, do not your fair beauty, lute song 1107
Lady Elizabeth’s mask 1153
The Fairies’ daunce (The Fairey masque) (attrib.) 194a, 195 i
Fantasia 793A
Full fathom five, lute song (attrib.) 299
Get you hence, lute song 413a
Hark, hark! the lark (attrib.) 30
Have you seen the white lily grow?, lute song 1109
Prince Henry’s mask 727, 1153
Hit and take it, alman 454
How wretched is the state, lute song 1032, 1108
Irlender Tanz, see Temple dance no 2
Lawn as white as driven snow 412a
Masque dances, see The Tempest
O let us howl 155E
Oberon, dances in Jonson masque, see Fairies dance; Satyr’s masque
Pavan no2 in f, no 3 in c 1245
The Prince’s almain, lute 450
The Prince’s corant 693, 728
The Prince’s, masques (Brade ‘Masqueradas’) I C major 727, 1153
The Prince’s, masques (Brade ‘Masqueradas’) II C minor 453, 1154
The Prince’s, masques (Brade ‘Masqueradas’) III C major 1155
Reapers’ dance 313g i
A Satyr’s masque à 4 (attrib.) 11, 415a, 1150
Lord Strang’s alman, lute 455
Tell me dearest, what is love?, lute song 170b
The Tempest masque (attrib.) 308a, 313a
3 Temple dances 1613 (attrib.) 313g, 955
The Temporiser, masque dance à 4 458
To the stump, alman 456
Where the bee sucks, lute song (wrongly attrib to Wilson). 1600 316
The Witty wanton, dance à 4 459
JONES, Robert Beauty sat bathing 284, 1111
c1570-c1615 Farewell dear love 352, 806
Go to bed sweet muse 115e, 1041
Hey, jolly Robin (In Sherwood I wed stout Robin Hood) 48b
She whose matchless beauty 370b
Sigh no more, Ladies (arr. Gerald Place) 230g
JOSQUIN des Près Mille regrets, chanson (arr. as Pavane in Susato) 1238, 1359
c1450-1521 La Spagne, consort à 5 506
Vive le Roy! Fanfare à 4 625
JUDENKÜNIG, Hans Elslein 896
c1450-1526 Der Hoftanz 895
Niederländischer Rundtanz (?Dutch country dance) 762, 1385


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