INDEX OF WORKS BY NAMED COMPOSERS (or arrangers) of music current in Shakespeare’s time
Compilers of anthologies are not here distinguished from composers, so that, for instance, settings of popular tunes for 4 or 5 part consort can reasonably be considered their own compositions, reflecting John Cutts (CU194) reference to the important contribution to this repertory in the form of keyboard pieces by Giles Farnaby where he notes that some attributed works may be as arranger rather than composer. Titles of works which show the status or rank of a person are listed under family name, e.g. DOWLAND ‘My Lady Hunsden’s Puffe’ under letter H in the list of works by that composer. Where more than one reference is given, full bibliographical detail together with musical incipit will be found under the serial numbers between 1 and 417, otherwise under the number printed in bold.
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E
| EAST, Michael |
And I as well as thou, à 3 |
654 |
| c1580-1648 |
|
|
| EAST, Thomas |
Lamentation (Hymn for a widower) |
244a |
| c1540-1608 |
|
|
| EDWARDS, Richard |
Awake ye woeful wights |
42b, 1078 |
| 1524-1566 |
When grypinge griefes (attrib.) |
(32e), 282 |
|
When May is in its prime |
1440 |
| ENCINA, Juan del |
Una sañosa porfia, villancico |
1035, 1461 |
| 1468-1529 |
Triste España sin ventura |
1036, 1462 |
| ESTRÉES, Jean d’ |
Branle gay à 4; à 5 |
571; 588 |
| d.1576 |
Les Bouffons (‘The Buffens’) à 4 |
106b |
|
Pavane Les Quercade à 4 |
95, 1225 |
|
La Rocha el fuso |
836 |
|
Tintelore d’Angleterre |
75b |
| EYCK, Jacob van |
Bouffons |
106b |
| c1583-1657 |
Excuse moy |
353c |
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F
| FANTINI, Girolamo |
Battle calls, trumpet |
517-9 |
| 1600-c1675 |
Entrata imperial |
108a, 250 |
| FARNABY, Giles |
MB vol. 24. FARNABY Keyboard works |
F |
MB |
|
| c1560-c1620 |
Alman (now ascribed to Hooper) |
222 |
|
437 |
|
Bonny Sweet Robin (also attrib. to Byrd) |
128 |
35 |
48a, 1371 |
|
His conceit, see Farnaby’s conceit |
|
|
|
|
Corranto (now ascribed to Hooper) |
228 |
– |
309 |
|
Daphne |
112 |
36 |
191d, 1453 |
|
His Dreame, pavan |
194 |
50 |
1301 |
|
Fantasias, keyboard |
129, 208 |
5, 9 |
795, 794 |
|
Farnaby’s conceit, alman |
273 |
52 |
447, 635 |
|
Fayne would I wedd |
197 |
57 |
193 |
|
Flatt pavan (John Johnson set by Farnaby)284 |
15 |
1275 |
|
|
Galiardo |
269 |
20 |
855 |
|
A Gigge, jig |
267 |
27 |
223a, 986, 1398 |
|
Gigge-a-gogge (now attrib. to Ward) |
141 |
|
203b |
|
Giles Farnaby’s Dreame, Rest and Humour, see separate entries |
|
|
|
|
His Humour |
196 |
53 |
147, 1306, 1526 |
|
Kempe’s Morris (Muscadin) |
293 |
38 |
39b, 145, 1303 |
|
The King’s Hunt |
53 |
49 |
415e |
|
Loth to depart, ballad setting |
230 |
41 |
28b, 1351 |
|
Mall Sims |
281 |
37 |
332d |
|
A Masque (also in Brade BN43) |
198 |
31 |
308e i, 1135 |
|
A Masque (as ‘Mascarada’ in Simpson) |
199 |
32 |
308e ii, 1136 |
|
A Masque (Cuparee or Gray’s Inn, i.e. Coperario Masque for the Inner Temple) set by Farnaby |
209 |
33 |
303e iii, 1137, 1143 |
|
Meridian alman |
291 |
24 |
448 |
|
Muscadin or Kempe’s morris |
293 |
38 |
39b, 145, 1193 |
|
New Sa-hoo |
148 |
45 |
1129 |
|
Old Spagnoletta |
289 |
29 |
1464 |
|
Pavan (Robert Johnson , set by Farnaby) |
39 |
14 |
1245, 1275 |
|
Pawles wharfe, variations |
113 |
46 |
1399 |
|
Put up thy dagger Jemy |
127 |
44 |
341, 723 |
|
Quodlings delight (similar to ‘Fain would I wed’) |
114 |
42 |
193, 696 |
|
His Rest, galliard |
195 |
51 |
856, 1302 |
|
Robin (Bonny Sweet Robin) |
128 |
35 |
48a, 1371 |
|
Rosasolis |
143 |
47 |
989 |
|
Rosseter’s galliard (set by Farnaby) |
283 |
21 |
857 |
|
Lord Souche’s mask, set by Farnaby |
239 |
34 |
225a |
|
Spagnioletta |
54 |
30 |
1465 |
|
Tell mee Daphne |
280 |
43 |
170c |
|
Tower Hill |
245 |
26 |
109e, 987, 1200 |
|
A Toye |
270 |
28 |
29b, 1484 |
|
Up tails all |
242 |
48 |
219g, 276a |
|
Why aske you |
286 |
39 |
1260, 1513 |
|
Woodycock see Ward, John |
141 |
40 |
203b |
|
Lord Zouches maske, see under Souch above |
|
|
|
| FARNABY, Richard |
Fayne would I wedd (after Campion) |
197 |
57 |
193 |
| c1594-1623 |
Hanskin (Jog on, jog on) |
297 |
58 |
405a |
|
Nobodyes Jigg (Gigge) (or Fleet Street) |
149 56 |
|
306b, 355b, 990, 1199 |
| FARRANT, Richard |
Ah, alas ye salt sea gods, (‘Abradad’) consort song |
(214), 1431 |
| c1530-1580 |
|
|
| FERRABOSCO, |
Alman |
478 |
| Alfonso jr. |
Dovehouse pavan |
1259 |
| c1575-1628 |
Fain I would, lute song |
1104 |
|
Four note pavan à 5 |
|
|
If all the ages of the earth |
10e |
|
Spanish pavinge [sic], 2 lutes |
142a, 1070 |
|
Who is Sylvia |
370e |
| FESTA, Costanzo |
2 Contrapunti sopra il canto fermo (La Spagna) à 5 |
506 |
| c1490-1545 |
|
|
| FORD, Thomas |
Sigh no more ladies à 3 (also attrib. to John Wilson) |
230b |
| c1580-1648 |
Since first I saw your face, lute song |
1105 |
| FRANCK, Melchior |
Intrada à 6 |
108b |
| 1580-1639 |
|
|
| FRESCOBALDI, |
Bergamasca à 4 |
215b, 361, 4594 |
| Girolamo 1583-1643 |
Canzona on ‘Ruggiero’ |
120c, 203c |
|
Courantes |
666 |
| FUENLLANA, Miguel de |
Fantasia de redobles, guitar |
796, 1469 |
| early 16th c.-c1579 |
|
|
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G
| GABRIELI, Andrea |
Aria del Bataglia à 8 |
515 |
| 1533-1586 |
|
|
| GALLIARDELLO, |
Mark Antoine’s galliard |
112 |
| Marco Antonio. d1585 |
|
|
| GERVAISE, Claude |
Allemande |
422 |
| c1510 – after 1558 |
Le bon vouloir: pavane |
1276 |
|
Branle de Bourgogne à 4 |
602A |
|
Branle de Poitou à 4 |
23b, 589, 1369 |
|
Galliarde de la guerre |
832 |
|
Gaillarde (untitled) |
831 |
|
Passamezzo antico (Pavanne passamaize & galliard) |
1271-2 |
|
Pavane (as a processional) |
1357 |
|
Pavane de la guerre, à 4 (after Jannequin) & galliard |
510-1 |
|
Pavane d’Angleterre avec sa galliarde, à 4 (‘Heaven and earth’) |
1273-4 |
|
La Venissienne, pavane à 4 |
961, 1236 |
| La Volunté, basse danse |
502 |
|
| GHISELIN, Johannes |
La Spagna, à 4 |
506 |
| fl. 1491-1535 |
|
|
| GHIZEGHEM, Hayne |
Allex regretz |
1004A |
| von c1445-1476/97 |
Hélas Madam à 3 (with 4th part added by Henry VIII) |
1004 |
| GIBBONS, Orlando |
Ah, dear Heart à 5 |
649 |
| 1583-1625 |
Alman (Allemande) in D minor |
449 |
|
Coranto in A minor, F major |
5663, 671 |
|
The Fairest nymph, masque |
1139 |
|
Fantasia of foure parts |
769 |
|
A French ayre |
825 |
|
Go from my window, ballad setting (attributed) |
354f |
|
Go from my window, variations, keyboard |
898 |
|
Now every flow’ry bank of May, madrigal |
1176 |
|
Pavanes |
336c i-ii, 1261-2 |
|
The Queen’s command (attrib. Cosyn) |
634 |
|
The Lord of Salisbury his pavan |
336b i, 1299 |
|
The Lord of Salisbury his galliarde |
336b ii, 1300 |
|
The Silver swan à 5 |
650 |
|
Tom’s a-cold poor naked Bedlam (Cries of London) |
130a |
|
Whoop do me no harm: variations |
410 |
|
The woods so wilde |
15b, 913 |
|
Ye fairest nymphs, masque dance |
1139 |
| GILES, Thomas |
Triumph now with joy |
21c, 22e, 311a |
| c1538-1634 |
|
|
| GREAVES, Thomas |
Fear no more the heat of the sun |
32f |
| fl. 1604 |
What is beauty but a breath, lute song |
244d |
| GUÉDRON, Pierre |
The French tune, lute |
827, 1130 |
| 1570/75-1619/20 |
|
|
