Abbreviation used for each play – with number of suggested potential musical interjections

  • All’s well that ends well (AW-6)
  • Antony and Cleopatra (A&C-8)
  • As You Like It (As-9)
  • The Comedy of Errors (CoE-2)
  • Coriolanus (Cor-2)
  • Cymbeline (Cym-8)
  • Hamlet (Ham-17)
  • Henry IV part 1 (1H4-4)
  • Henry IV part 2 (2H4-16)
  • Henry V (H5-6)
  • Henry VI part 1 (1H6-5)
  • Henry VI part 2 (2H6-3)
  • Henry VI part 3 (3H6-4)
  • Henry VIII (H8-24)
  • Julius Caesar (JC-4)
  • King John (KJ-1)
  • King Lear (KL-22)
  • Love’s Labour’s lost (LLL-17)
  • Macbeth (Mac-8)
  • Measure for Measure (MfM-2)
  • The Merchant of Venice (MoV-9)
  • The Merry Wives of Windsor (MW-14)
  • A Midsummer Night’s Dream (MND-30)
  • Much ado about nothing (Mu-27)
  • Othello (Oth-7)
  • Pericles (Per-13)
  • Richard II (R2-5)
  • Richard III (R3-2)
  • Romeo and Juliet (R&J-11)
  • The Taming of the Shrew (ToS-15)
  • The Tempest (Tem-21)
  • Timon of Athens (ToA-5)
  • Titus Andronicus (T.A.-6)
  • Troilus and Cressida (T&C-7)
  • Twelfth Night (TN-34)
  • The Two Gentlemen of Verona (TGoV-7)
  • The Two Noble Kinsmen (TNK-26)
  • The Winter’s Tale (WT-18)